Colour has a source, a place on the wheel, and a job in the picture. Name the relationship before you say the mood.
The idea
Red, yellow and blue are the primary colours. They are not mixed from other colours. A secondary colour is mixed from two primaries. Red and yellow make orange. Yellow and blue make green. Blue and red make violet. A tertiary colour is mixed from a primary and a neighbouring secondary, such as red orange. A tint is a colour plus white. A shade is a colour plus black. Hue is the name of the colour itself. The twelve point wheel sets these hues in order so that relationships can be seen. Complementary colours sit opposite each other: red and green, blue and orange, yellow and violet. They strengthen each other when placed side by side. Analogous colours sit next to each other and harmonise more quietly.
Warm colours, red, orange and yellow, tend to come forward. Cool colours, blue, green and violet, tend to recede. That is one way painters show distance, and it is not the same as linear perspective, which uses lines meeting as they go back. A Ghanaian cloth can tie a colour to an occasion or an object. State that meaning only when you know the people and the cloth. Do not invent a proverb for a colour, and do not treat one community's meaning as the meaning for every Ghanaian. If you are not sure, describe what the colour does in the work: it contrasts, it repeats, or it cools the distance.
The General Knowledge in Art tips guide is the written paper: the objective items, the essay, and how to build a point. The Visual Arts tips guide covers the studio papers that sit beside it. Start practising on glearn.now with Kevin and Anna. WASSCE General Knowledge in Art tips